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Buenos Aires Numerals
Type I, the old format and mostly phased out during 1936
Provincial Capitals
A Stamp Collecting Blog Dedicated to one of the Most Interesting Series of the 20th Century
Saturday, December 27, 2008
Monday, December 22, 2008
a few plate varieties of the 50c
The ones mentioned here are for the plate used beginning in 1949. The variety with the V of CENTAVOS deformed is likely found more than once on the plate, judging by how common it is. The variety with the outer line upper left corner clipped is repetitive since I find more than one on the same block. This strip also shows the variety with a dot after MAR.
first stamp left to right
third stamp left to right
What makes me think that a new plate was introduced in 1949 is that the issues from that year, the 2C or Straight Rays, share plate varieties with the later issues, and the issues from 1948, on the unwatermarked opaque paper (NOP) and before do not.
Here is a 2C with the variety with the outer line upper left corner clipped
detail
Here is a variety I found several years ago as well as in the large lot I have been exmining lately. I only find it on the 1L3 from 1955, the printing with a bright yellow background.
first stamp left to right
third stamp left to right
What makes me think that a new plate was introduced in 1949 is that the issues from that year, the 2C or Straight Rays, share plate varieties with the later issues, and the issues from 1948, on the unwatermarked opaque paper (NOP) and before do not.
Here is a 2C with the variety with the outer line upper left corner clipped
detail
Here is a variety I found several years ago as well as in the large lot I have been exmining lately. I only find it on the 1L3 from 1955, the printing with a bright yellow background.
Saturday, December 20, 2008
The 14 types of the 50c
Here they are, from 1,400 used specimens. Scott has three types... Watch out for the 1L5, it is super rare!
1E1, issued January 1936.
1E2, from 1937
1E3, from 1939 to 1944
1E4, from 1940
1E5, from 1943/44, rare, small RA
NGR, from 1945
NOP, unwatermarked opaque from 1947/48
2C, Straight Rays from 1949
CL2, clay from 1952
1L1, from 1951, deep orange background
1L2, from 1952, pale red, medium to gigantic RA, poorly defined
1L3, from 1955/56, bright white paper and deep yellow background
1L4, similar to 1L2, with a partially visible watermark
1L5, similar to 1L2, white Zarate, rare
1E1, issued January 1936.
1E2, from 1937
1E3, from 1939 to 1944
1E4, from 1940
1E5, from 1943/44, rare, small RA
NGR, from 1945
NOP, unwatermarked opaque from 1947/48
2C, Straight Rays from 1949
CL2, clay from 1952
1L1, from 1951, deep orange background
1L2, from 1952, pale red, medium to gigantic RA, poorly defined
1L3, from 1955/56, bright white paper and deep yellow background
1L4, similar to 1L2, with a partially visible watermark
1L5, similar to 1L2, white Zarate, rare
a plate variety of the 50c
This one is on the first plate, and this specimen is on the 1E1, the first paper, of 1936.
Saturday, December 6, 2008
Closeups of 1Ls
Two 1L1 specimens with horizontal lines in the watermark.
Several 1L2 specimens.
A Zarate 1L5 specimen with 1L3 specimens to the left and the right.
Several 1L2 specimens.
A Zarate 1L5 specimen with 1L3 specimens to the left and the right.
There are two types of NGR
Thanks to the listing by Dario Bardi, I learned of two directions of this paper, which I have verified. Here is a comparison scan.
NGR-LR, longer grooves horizontally left to right
NGR-UD, longer grooves vertically up and down
NGR-LR, longer grooves horizontally left to right
NGR-UD, longer grooves vertically up and down
50c dated specimen back scans
From 1400 of these stamps, I selected 105 lightly and clearly dated specimens. Here are the scans. This is my first take at the thorough classification of Dario Bardi.
These are the totals for the papers.
I do not find any 1E5's even though I think I should.
1E1..8; 1E2..1; 1E3..10; 1E4..2
I have just learned from Dario Bardi that there are two types of NGR (longer grooves horizontally left to right, or vertical up and down); hence the additional letters added to NGR here.
NGR-UD..10; NGR-LR..2
I don't have enough NOPs to distinguish the two types (matte and shiny) mentioned in the publication by Dario Bardi.
NOP..1; 2C-H..5; 2C-V..4; CL2..2
I do not find the 1L1 Dario Bardi mentions with vertical lines. All of the 1L1 specimens I find are aligned with horizontal lines. The stamp I have previously referred to as 1L4 is either rare, or a variation of the 1L5. The 1L2 is a very common stamp, receiving heavy use in 1952.
1L1..13; 1L2..34; 1L3..6; 1L5..7
About the placement of RA in 1E's, only the 1E4 paper has a horizontal placement of the watermark. The other three (1E1, 1E2, and 1E4) have vertical placements. I seem to not agree with Dario Bardi because he has two vertical and two horizontal placements in his listing that is equivalent to my 1E's. I have yet to look at the 1E5's that Dario Bardi finds, and I have for the 25c value.
These are the totals for the papers.
I do not find any 1E5's even though I think I should.
1E1..8; 1E2..1; 1E3..10; 1E4..2
I have just learned from Dario Bardi that there are two types of NGR (longer grooves horizontally left to right, or vertical up and down); hence the additional letters added to NGR here.
NGR-UD..10; NGR-LR..2
I don't have enough NOPs to distinguish the two types (matte and shiny) mentioned in the publication by Dario Bardi.
NOP..1; 2C-H..5; 2C-V..4; CL2..2
I do not find the 1L1 Dario Bardi mentions with vertical lines. All of the 1L1 specimens I find are aligned with horizontal lines. The stamp I have previously referred to as 1L4 is either rare, or a variation of the 1L5. The 1L2 is a very common stamp, receiving heavy use in 1952.
1L1..13; 1L2..34; 1L3..6; 1L5..7
About the placement of RA in 1E's, only the 1E4 paper has a horizontal placement of the watermark. The other three (1E1, 1E2, and 1E4) have vertical placements. I seem to not agree with Dario Bardi because he has two vertical and two horizontal placements in his listing that is equivalent to my 1E's. I have yet to look at the 1E5's that Dario Bardi finds, and I have for the 25c value.
Reference scans of the 1L papers
These multiples are a representative sample of the 1L papers for the more common large format values.
30c; The white paper specimens seem to be printed on a paper that is similar in porosity to the bright white Straight Rays (2C) paper
40c; The 40c also seems to have been printed on the porous 1L paper I have yet to catalog.
50c;
2p; This stamp was printed during the 1950s on at least one paper that seems to be unique to this value.
This stamp was also commonly printed on the dark 'Zarate' 1L5 for which the watermark is barely visible.
30c; The white paper specimens seem to be printed on a paper that is similar in porosity to the bright white Straight Rays (2C) paper
40c; The 40c also seems to have been printed on the porous 1L paper I have yet to catalog.
50c;
2p; This stamp was printed during the 1950s on at least one paper that seems to be unique to this value.
This stamp was also commonly printed on the dark 'Zarate' 1L5 for which the watermark is barely visible.
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